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Im Gespr\u00e4ch mit Martin Gasteiner erz\u00e4hlt er, warum sein Spiel ohne Voice-Acting auskommt, wie Typografie zu Stimme und Rhythmus wird und weshalb Nonnen in\u00a0<em>Pentiment<\/em>\u00a0die Bibliothek bewachen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wer Josh Sawyer nur als Creative Director gro\u00dfer Rollenspiele kennt, erlebt im Gespr\u00e4ch eine andere Seite: den Historiker, der Listen mit M\u00f6nchsnamen anlegt, in Quellen bl\u00e4ttert und den Buchrand ernst nimmt \u2013 so ernst, dass eigens Schriftarten entwickelt wurden, damit Texte in&nbsp;<em>Pentiment<\/em>&nbsp;\u201eeinlaufen\u201c wie Tinte.<br>Von der Familiengeschichte zur Spielwelt: Sawyers Faszination beginnt im Privaten \u2013 Ahnenforschung zwischen Wien, Bayern und der Donau-Schwaben-Migration. Aus Fragen wie \u201eSind wir deutsch? \u00f6sterreichisch? ungarisch?\u201c entsteht ein historischer Blick auf die fr\u00fche Neuzeit, das Heilige R\u00f6mische Reich und die Hexenverfolgungen. 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